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The characters that Sarah Tritz has summoned to the Fondation d’entreprise Ricard – such as the melancholic Diabolo, after whom the exhibition is named, and the delightful Sluggo, both of whom are taken directly from an American comic from the 1930s, from where the artist also borrowed the delicate sky-blue and water-green colours that decorate the walls of the space – bring in their wake a cohort of mystery guests.

The 2015 Fondation d’Entreprise Ricard Prize opens up areas of research which, at first sight, seem well-removed from one another, but turn out to be informed by unusual systems of liaisons.

An experimental collaboration between the Fondation d’entreprise Ricard and the Visual Arts Master of ECAL / Ecole Cantonale d’Art de Lausanne.

With this show, the Fondation d’entreprise Ricard is offering a contemporary look at the Portuguese art scene.

Exhibition curated with Bertrand Schefer.

The solo exhibition of Emmanuelle Lainé brings the artist back to Paris – a place very familiar to her.