Public recording of Pourvu qu'iels soient douxces

Conversation between Anne Bourse and Pascaline Morincôme, researcher and curator
followed by the sale of the book

As part of the residency "Mi-Monstre Mi-Livre" (Half monster, half book) : After 8 Books / Publication studio (Paris) with Ariel Ink & Six Chairs Books (Vilnius).

Free with reservation: [email protected]

Entrusted to Pauline Ghersi and Liv Schulman, whose practices are identified in the video and object fields, this year's Paris Performance cycle will take place over three evenings from December 2024 to June 2025. With their singular sense of humor, and accompanied by amateur actors, the two artists have entitled their proposal “Le Réalisme”, as a playful exploration of the most fundamentally banal everyday life.

As part of the residency "Mi-Monstre Mi-Livre" (Half monster, half book) : After 8 Books / Publication studio (Paris) with Ariel Ink & Six Chairs Books (Vilnius).

Free with reservation: [email protected]

Inspired by Florence Jung's exhibition
Free with registration at: [email protected]

A performance as part of Florence Jung's solo exhibition

Entrusted since 2021 to critic and curator Jill Gasparina, the ‘Entretiens sur l'art’ (Interviews about Art) series, which for over 20 years has built up a formidable collection of artists' words, will from now on be looking closely at the materiality and conditions of emergence of the works of the guest artists.

Artist and storyteller Madiana Kané Vieyra leads children into the exhibition rooms and invites them, through stories, to discover the artists’ worlds.

Free with registration at: [email protected]

More about the show here.

Curated by Julien Bécourt, the input series celebrates the union between the visual and sound arts. From museum installations to underground activism, from Fluxus to noise music, it will invite a visual artist to evoke his or her relationship with the resonance and vibration of sound, and to question the sacred bond that the arts have always forged with music - be it minor or major, popular or learned.

Entrusted to Pauline Ghersi and Liv Schulman, whose practices are identified in the video and object fields, this year's Paris Performance cycle will take place over three evenings from December 2024 to June 2025. With their singular sense of humor, and accompanied by amateur actors, the two artists have entitled their proposal “Le Réalisme”, as a playful exploration of the most fundamentally banal everyday life.

Entrusted since 2021 to critic and curator Jill Gasparina, the ‘Entretiens sur l'art’ (Interviews about Art) series, which for over 20 years has built up a formidable collection of artists' words, will from now on be looking closely at the materiality and conditions of emergence of the works of the guest artists.

Curated by Julien Bécourt, the input series celebrates the union between the visual and sound arts. From museum installations to underground activism, from Fluxus to noise music, it will invite a visual artist to evoke his or her relationship with the resonance and vibration of sound, and to question the sacred bond that the arts have always forged with music - be it minor or major, popular or learned.

Hosted by poet and teacher Jérôme Mauche for the past ten years, the ‘Poésie Plateforme’ (Poetry Platform) meetings provide an opportunity for unexpected dialogue. These invitations bring together an artist and an exchange partner from a wide range of practices - poets, novelists, and some of the most stimulating researchers - in close proximity to their approach and work, creating a back-and-forth between uses, temporalities and invention, through the prism of an art that questions the possible and builds worlds.

A storyteller leads children into the exhibition rooms and invites them, through stories, to discover the artists’ worlds.

More about the show here.

Curated by Julien Bécourt, the input series celebrates the union between the visual and sound arts. From museum installations to underground activism, from Fluxus to noise music, it will invite a visual artist to evoke his or her relationship with the resonance and vibration of sound, and to question the sacred bond that the arts have always forged with music - be it minor or major, popular or learned.

Entrusted since 2021 to critic and curator Jill Gasparina, the ‘Entretiens sur l'art’ (Interviews about Art) series, which for over 20 years has built up a formidable collection of artists' words, will from now on be looking closely at the materiality and conditions of emergence of the works of the guest artists.

Entrusted to Pauline Ghersi and Liv Schulman, whose practices are identified in the video and object fields, this year's Paris Performance cycle will take place over three evenings from December 2024 to June 2025. With their singular sense of humor, and accompanied by amateur actors, the two artists have entitled their proposal “Le Réalisme”, as a playful exploration of the most fundamentally banal everyday life.

Hosted by poet and teacher Jérôme Mauche for the past ten years, the ‘Poésie Plateforme’ (Poetry Platform) meetings provide an opportunity for unexpected dialogue. These invitations bring together an artist and an exchange partner from a wide range of practices - poets, novelists, and some of the most stimulating researchers - in close proximity to their approach and work, creating a back-and-forth between uses, temporalities and invention, through the prism of an art that questions the possible and builds worlds.

Curated by Julien Bécourt, the input series celebrates the union between the visual and sound arts. From museum installations to underground activism, from Fluxus to noise music, it will invite a visual artist to evoke his or her relationship with the resonance and vibration of sound, and to question the sacred bond that the arts have always forged with music - be it minor or major, popular or learned.

Entrusted since 2021 to critic and curator Jill Gasparina, the ‘Entretiens sur l'art’ (Interviews about Art) series, which for over 20 years has built up a formidable collection of artists' words, will from now on be looking closely at the materiality and conditions of emergence of the works of the guest artists.